南都学坛

舒群的战时文学创作轨迹与其从东北到关内的流亡经历密切相关，此种跨地域的流动在舒群的创作中形成了复杂多样的地域性风景。具体而言，主要包含带有地域特征的实风景、情感映射的虚风景和表现怪诞异化的反风景。藉由上述三重风景，不仅可以厘清舒群战时文学地域性风景承载的重塑民族文化认同、激发民族救亡热情、促生民族主体力量等多重意涵，而且能够明晰舒群如何通过地域性风景形塑了自身的文学思想场域和美学风格，进而实现了文学抵抗与民族精神重塑的根本诉求。

Shu Qun's wartime literary trajectory is closely intertwined with his exile from Northeast China to the inland regions, a cross-regional journey that gave rise to a complex and multifaceted landscape consciousness within his works. This regional imagination manifests itself in three distinct forms: real landscapes marked by local geographical and cultural features, imagined landscapes shaped by emotional projection, and counter-landscapes that reveal grotesque and alienated dimensions of wartime experience. Through these three layers of landscape representation, Shu Qun's writing not only embodies multiple meanings—such as reconstructing national cultural identity, arousing patriotic zeal for national salvation, and fostering the formation of national subjectivity—but also illustrates how he used regional landscapes to shape his own literary thought and aesthetic vision. In doing so, Shu Qun fulfilled the fundamental task of his wartime literary practice: to enact cultural resistance and to contribute to the reconstruction of the national spirit.